I will never understand the attitude that the CW is some kinda lesser network as if it wasn’t formerly UPN and WB and like it’s any worse than any of the other “big four” networks plus freeform or cable. A lot of the folks we still watch on “the big four” we know because of what used to be The WB/UPN and they all are held to the same standards (and are sister companies- eg CBS/CW same folks) when it comes to the folks who make money off us watching.

Just because some folks hate to watch the shows on it (but still do) doesn’t make The CW any less than the rest of network TV.

Don’t pass on Sabrina because of over zealous activists. Yes, Prudence was a bully in the beginning of the show but she develops into so much more than that. At the end of it all while you may not agree with her reasoning you will understand why she is the way she is. You may even root for her, I know I do. You will not like Sabrina, nobody does. But you will be introduced to side characters that get enough screen time to enjoy the show. It is basically like Buffy.

I’m good on seeing a character lynched and my dash and twitter is giving me plenty of Ambrose as the side character. I passed on Buffy too back in the day. I’d rather not invest too much time in something that gonna make me root for her just to watch her die in the end. I went through Sleepy Hollow for that and a few other shows. Don’t want a repeat.

It’s not just ‘overzealous activist” (wow really?) folks are past tired of seeing our characters be treated like shit in the hands of white writers for the uplifting of white characters. Come on. Black and Brown folks and characters deserve better than that

erikkillmongerdontpullout:

I think something we have been seeing is mindless diversity. White show runners, writers, and directors believe that having a Black character is enough to win them points and that they don’t have to actually engage with the marginalized identity given to the character. You can’t just make a white character Black without considering what that means. Certain scenes or choices that are okay for white characters become marred in racism and racist histories when the character is Black. You can’t be blind to the power dynamics that exist in our real world. You can’t turn a character Black but still give them storylines that are soaked in racism

Making your only villain a woc who is mean and cruel to your white Woman protagonist is bad! Making your Black character a savage monster is bad! You can’t just slap on new identities to characters without considering how those new identies changes how the character interacts with the storyline and the real world.

Of course you can have Black characters or characters of color that do bad things but you need to pay close attention to the narrative around that character. It’s not groundbreaking to have a bitchy mean Black girl or the sexually provactive, fiery Latina.

White writers refuse to let go of ideas of white fragility and white female victimhood when making their white woman characters and gleefully use the abuse and domination of the big bad poc to show how empowered she is.

acitymadeofsong:

My favorite kind of villains are the ones that you can understand. Not agree with, not like, but understand. You’re frightened by their actions in a really visceral way because you realize that, in the wrong circumstances, you might become a monster too.

The scariest type of monsters are the ones that seem human and familiar. 

cliquestitsandicks:

@shaloved30 She’s 22?! Oh wow. So she went straight from undergrad to med school and is only in her first year.

Yep. I was reading this article the other day and Nafessa says it.

https://comicbook.com/dc/2018/10/17/black-lightning-season-2-episode-2-anissa-grace-choi-thundergrace/

“She’s still finding herself and is only 22 years old, so she’s still finding out who she is and what she wants.” Williams continued. “This new life of being a super hero it’s not easy. And it’s not easy to talk to everyone about it.’